This Allure

Archive for the ‘Classic Music’ Category

For too long, classical music has been regarded as the domain of instrumentalists, composers, academic musicologists and, typically, anyone over 40 years old. But while the majority of today’s youth would rather listen to Britney Spears’ greatest hits or watch My Chemical Romance on MTV, the view that young people are completely uninterested in classical music is not just erroneous – it’s simply not grounded in historical reality.

Mozart, widely regarded as one of the greatest classical composers of all time, wrote his first symphony at age eight and was dead by the age of 35. Schubert also died when he was 31, while Chopin famously didn’t live past the age of 39. Moreover, the phenomenon of the castrato in classical music in the 1700s shows that young people haven’t just been interested in classical music throughout the years – they’ve practically been canonised as part of a classical music tradition that, although lost, is not forgotten.

Today’s orchestras, choirs and opera houses are packed with young singers and musicians, many of whom are still in their twenties. Moreover, almost all modern, successful classical musicians will have undergone training from a very young age. Charlotte Church may have made headlines when she released her debut album “Voice of an Angel” in 1998 aged just thirteen, but while her phenomenal mainstream success was not typical, the fact that she was such a young musician in the classical industry was.

In the twenty-first century, the likes of Katherine Jenkins and “male soprano” Michael Maniaci, 28 and 29 years of age respectively, are making headlines the world over for their innovative approach to classical music and their stunning vocal range. Edward Gardner, the new Music Director of Glyndebourne on Tour (one of the UK’s premier operatic fixtures), is also only 28, proving that there is certainly no dearth of young people performing classical music, although there may be fewer youths than OAPs listening to it.

But as classical music institutions and performing arts organisations try their best to reduce their median audience age, classical music isn’t just becoming more accessible to young people – it’s also becoming more affordable. Scottish Opera, for instance, offer special ticket deals for people under 26, while many music-specialist booksellers are making classical music books and guides that will help younger classical listeners learn more about the craft. So while many may lament the loss or decline of youth interest in classical music in today’s world, they need only look towards the country’s concert halls to see where the future lies.

For anyone studying popular classical music, it can be a daunting task to know where to begin. There are so many great pieces that a beginner can get overwhelmed. Here are 10 of the most popular classical pieces with a brief background of each. There are many others, of course, but these 10 are certainly among the most popular classical pieces of all time.

Clair de Lune is a piece by Claude Debussy, a French composer. It is the third and most popular movement of the larger Suite bergamasque. It is played pianissimo and is largely in D-flat major, with a shift to E major toward the end. Clair de Lune has been taught to students of popular classical piano for years and is prominently featured in movies and television shows.

Beethoven’s Piano Sonata No. 14, popularly called the Moonlight Sonata, was completed in 1801. Beethoven had begun to suffer from hearing loss prior to this and used a special rod attached to the piano’s soundboard in order to feel the vibrations and enhance his sense of the music. It was given the name Moonlight Sonata by a music critic who compared it to the moonlight shining on a lake.

Canon in D is the most well known piece by Johann Pachelbel. Originally written for three violins and basso continuo, it has since been given many different arrangements. Basso continuo refers to a group of instruments, one of which must be able to play chords. Other instruments must be able to play in the bass register, such as a cello. Canon in D is often played at weddings.

The Hallelujah Chorus is part of George Frideric Handel’s Messiah. The text is from a libretto by Charles Jennens, who adapted parts of the Old and New Testaments for his composition. The Hallelujah Chorus is taken from the book of Revelation, and it is customary for audiences to stand during this movement of the Messiah.

George Gershwin’s Rhapsody in Blue is a piece that combines the elements of popular classical music with the popular jazz music of the era. It was commissioned as a classical element in an all-jazz concert to be presented by band leader Paul Whiteman. Known as Al Capone’s favorite song, Rhapsody in Blue has been featured in numerous films and advertisements.

The Piano Sonata in B minor is one of Franz Listz’s most popular classical solo piano works. It is a piece in the Romantic style and consists of small movements woven into a larger whole. Thematic elements are presented in each movement, although the different setting of the movements make the elements sound differently each time. In one section the melody may seem violent, yet later in the piece it becomes something beautiful in a different context.

Symphony No. 5 by Gustav Mahler contains many of the common elements of Mahler’s work, such as the funeral march. Commentators have noted that when hearing Mahler’s Fifth “you forget that time has passed.” Scored for a large orchestra, the Fifth is considered to be Mahler’s most conventional symphony up to that point in his career. He was regarded as a highly unconventional composer until the Fifth was published.

Johann Sebastian Bach composed The Well-Tempered Clavier to instruct students in solo piano playing. He collected 24 pieces and published them in 1722 as The Well-Tempered Clavier. In 1744 he published a similar collection with the title Twenty-Four Preludes and Fugues. Combined, these two books comprise The Well-Tempered Clavier.

The Four Seasons by Antonio Vivaldi consists of four violin concertos. A Baroque piece from 1723, The Four Seasons is also considered a series of tone poems, as Vivaldi provided instructions with each movement. Phrases such as “the drunkards have fallen asleep” and “the barking dog” give conductors instructions about the feel of each concerto in this popular classical piece.

Sumitra Guha is a renowned name in the Gharana of Classical Music. Her singing uplifts her listener to a better quality of life and living. Her loyal dedication to music reflects in her exclusive concert where audiences too experience the soothing vocal performance.

Sumitra is rightly conditioned in two major schools of Indian Classic music viz. Carnatic and Hindustani. She received her first musical lesson from her mother who infused the spiritual connection in Sumitra through music. She received formal education under the famous vocal maestro S. R. Janakiraman (Sangeetha Vidwan) at the age of 11 years. After that Sumitra never looked back as she was already having skilled grip and mastery over Carnatic vocal. Sumitra was in her way of making mark in this métier by her amazing vocal art.

Sumitra joined Vishwa Bharati University in Shantiniketan to pursue her graduation in Philosophy after having done the pre-university course. It is the ground she found herself inclined to the Classical Hindustani music. It contains the universality of ‘Swaras’, the intensity of ‘Alaap’ and the eventual condensation in the ‘Vistaar’ that affixed her. Under the guidance of Pt. A. Kanan and Vidushi Malavika Kanan she began her learning on Hindustani Classical music in the year of 1964. She was influenced by their style which helped her mould her own unique style of singing. Sumitra was finally trained by Sushil Kumar Bose, the talented disciple of Maestro Ustad Bade Ghulam Ali Khan.

Sumitra came out in the world of professional singing in 1972 when she was a B-Grade artist under the AIR classification. By 1995 she was received with the title ‘Vidushi’ for her excellence in vocal music. Her chain performance with Air in the years 1982, 1985, 1989 and 1990 received her wide acclamations. Sumitra was broadcasted nationwide during four Radio Sangeet Sammelans in 1988 (Mathura), 1994 (Bangalore), 1998 (Mumbai) and 2001 (Raipur). In the year 1985 Sumitra performed her first national performance on Doordarshan. Her first public performance was at the Thirumala temple in Tirupati at the event of Brahmotsav in 1972.  Her outstanding performance in the event earned her gold medal and after that she became an eminent name in the Classical Indian music.